Monday, February 21, 2011

What Gas Stations Sell Condoms In The Bathroom?

Italy and Italy of comedians and singers of Italian

On "Unification of Italy-Speech by Benigni in Sanremo" read the opinion of the historian Massimo Viglione, a view very different from that expressed by Antonio Socci .

Italy and Italy of comedians and singers of Italian

The new national poet, comic, which must necessarily laugh (who does not ride on his lines is, as we say nowadays, "out"), new organic intellectual suitable for a new era of rampant anything, has once again enhanced in the new temple of the Italian state (the altar of the fatherland in reality it never was), the "New Italy", that was born 150 years ago.

And now, just the day later, our government has given: it has finally declared that March 17 will be a national holiday (but at the expense of the traditional Nov. 4, not too upset Confindustria). How anyone can understand, a few thoughts, as fast, appear to be necessary. Our people have had several Vati over the centuries, indeed millennia. Virgil and Horace, when I ruled the world, though the Italian state did not exist, but Italy was the heart of the most important supra-national empire of all time, and forge the right of Western civilization, the poet par excellence, the Divine Poet the greatest human genius of all time, who left us the most lofty and unattainable opera di tutti i tempi, che ha segnato per sempre la formazione della nostra lingua, che ci ha ricordato il senso spirituale, morale e anche politico di questa fugace vita in attesa della futura eternità: tutto questo quando l’Italia era divisa in decine e decine di Stati e staterelli, poleis e feudi, ma pienamente unita in quello spirito religioso e civile che Dante ha colto come nessun altro uomo ha mai saputo fare con la propria epoca; Torquato Tasso, molto più che l’Ariosto, seppe incarnare il senso di una nuova epoca che poneva Dio e la Chiesa Cattolica e la civiltà ad essa connessa nel centro del cuore degli italiani, producendo alcuni fra i più grandi artisti di tutti i tempi; eppure l’Italia era divisa in Stati in parte subject to foreign monarchs, so Foscolo, deluded and complainer servant of an Italian genius but hypocritical and denied that his armies and the French had promised freedom that brought death, robbery, oppression, and insult to Italian identity, and after him Leopardi, a brilliant singer with a vision of life alien to Italians, and Manzoni, operator of a reconciliation between the romantic feeling bold and revolutionary core of Italian Christian secular order, and yet Italy was still divided in 7 states, which However, only one was now subject to an alien, and finally the unification of Italy Vati, Carducci enhancer Satan, Pascoli hope in bath socialista e D’Annunzio, fautore del “nuovo italiano”, dimentico del bene e del male.

Poi i vati sono finiti, con la morte della cultura italiana, o meglio, della Cultura, schiacciata dalla guerra civile, dall’odio partigiano, dall’affarismo della rinascita, dal compromesso politico e culturale con il sole dell’avvenire, che ci ha portato le foibe e il Sessantotto, il terrorismo e l’odio sociale, lo statalismo e il radicalismo chic dispregiatore senza limiti di tutto ciò che per millenni è stato costitutivo della grandezza vera e irraggiungibile della civiltà italiana. Ma l’Italia ora è unita… Adesso, finalmente, abbiamo di nuovo un vate, dopo quasi un secolo. Roberto Benigni. E un nuovo tempio nazionale: il teatro Ariston di Sanremo, con fiori, musica e colori, e con tanto di vallette, cantanti e comici. E un pubblico sempre plaudente. E un conduttore cantante che voleva festeggiare l’unità cantando “Bella ciao”…

Da Virgilio a Benigni, passando per Dante. Il meraviglioso itinerario della storia italiana. Ma l’Italia è ora unificata da 150 anni. E gli italiani sono uniti? Quando ieri sera Benigni ha più volte (in maniera spiritosa, s’intende) ironizzato su Berlusconi e le minorenni, quanti milioni di italiani a casa si sono nei loro cuori sentiti uniti? Quanti milioni di italiani hanno magari pensato a Vittorio Emanuele II, esaltato the post-communist Benigni as the "Gentleman King", which one evening and one well was done by his servants to bring in his bedroom females taken from the brothels of Turin? (To say nothing of his love affairs with thirteen-year and down from there ... as we would call today a grown man who goes with a thirteen year old? "Gentleman" or otherwise?).

When Benigni said the Bourbon oppressed in the south while a monstrous thank God today the South is "free", how many South have shared? When Benigni said Garibaldi and Cavour were sacrificed dying poor in Italy, many Italians saw in him a prophet? Or how many have seen only a pathetic barzellettaio? If the operator of the transmission-worship of the "New Italy" had actually sang "Hello Beautiful", how many Italians would feel united? And in that respect, I pose a question.

In fact, two: 1) why in these 150 years we have made a national holiday on November 4, Oct. 28 (under Fascism), April 25, June 2, and never on March 17, perhaps the only party sensible in itself, since it is the date of establishment of national unity? How come we always celebrated it all and more but never unification?

2) For what reason, to enter March 17 (one-off, of course) this year we removed the 4th of November? This little party divides Italians, both because most of them, especially the younger ones even know what it is, and because it remains the only major military victory of a united Italy (with foreign help, of course ), so very few people in their heart feel like a party that divides and wounds (including these few, the writer).

would have been much more sense to skip April 25, the feast known to all, and, either openly or in secret hearts, the vast majority of Italians suffered unwillingly if not despised as fomenting of hatred and violence: a holiday that reminds us - Directly or indirectly - to the dictatorship, the military defeat, the "death of the fatherland", the civil war, the hatred between brothers and friends, executions, raids, rape, revenge of the mass extermination camps and sinkholes, ruthless invaders on native soil, the lie of a "war of liberation" that was just a war in the service of foreign invaders, either side of the fence. Feast of the civil division for excellence, more than any other holiday that reminds us how we are divided, as Italy is unified never managed to "make Italians."

Who wrote these reflections do so in defiance of value of national unity. He does it as a denunciation of the lie of the Risorgimento. National unity is one thing, another is the unity of the Italians.

Just to have unified Italy in the way that was unified, without popular participation, against the Church and religion of the Italians, winning with bestial brutality of the southern half of the peninsula and then millions of people on board for the new world , and more, is the root cause, along with historical lies perpetuated in these 150 years, until last night, the fact that the Italian people remains the most internally divided among all the peoples of the West.

Here cosa festeggiamo in questi giorni: il fallimento dell’unità degli italiani, come ogni dì ognuno di noi può facilmente verificare. Andatelo a dire al nuovo vate della nuova Italia: ma penso che sia inutile, ora sarà troppo distratto contando la vergognosa montagna di soldi che gli hanno dato (proprio coloro che ogni giorno accusano il governo di non pensare alle difficoltà quotidiane degli italiani) per dirci che il Meridione gemeva sotto i Borbone mentre oggi è libero e prospero e che Garibaldi e Cavour sono morti poveri. Poveri come lui.

Articolo pubblicato sul sito Libertà e Persona

Opening A Residential Home

But we wanted a comedian to make us feel a people?

Roberto Benigni merita un grande “grazie!”. Certo, alcune baggianate were spoken in her performance at the Festival of Sanremo.

For example, if I understand (because it bundled with a speech topics overexcited) said it was Mazzini, in 1830, invented the Tricolore. E 'nonsense.

I wonder how he came to mind: the Tricolore was designed by Luigi Zamboni and De Giambattista Rolandis in Bologna in 1794 (I said recently in these columns). It was then taken up - as everyone knows - the Republic Cispadana in 1797. Mazzini was not even born.

benignesco suggestive is the reference to the origins of the Tricolor by Divine Comedy (Purgatorio XXX, 30-33), but unfortunately the actor knows that the Tuscan colors white, red and green dress Beatrice indicate the three theological virtues, Faith, Hope and Charity, and so the reference to Dante's remains incomplete.

Somebody should explain to Bossi and the League that the Tricolor was born from the banner of the Lombard League (the red cross on a white field that came from the Crusades) and the unification of Italy is largely an 'enterprise Po " .

But who knows if they listen. To return to

Benigni, then there are the gaffes due all'ingarbugliamento minutes of comedy, as when he said that Italian culture existed before the nation's nonsense, I wonder why the news as a brilliant re-launched idea.

meant to say that the Italian nation and culture existed before the unitary state (which is precisely built in 1861).

was a beautiful idea - that of the Italian culture before the State - which would be investigated. Too bad that he dropped.

And pity that the prayer had celebrated a civil Benigni Risorgimento elementary school a hundred years ago.

It 'been a flood of rhetoric from a small lookout Lombard. He told a tale full of heroes, young and strong (who died) far removed from reality.

There was even a hint of gray areas, the errors and also the horrors of the "conquest of Piedmont."

Benigni said that I think has been great and has done a great thing anyway.

First of all his feelings and his emotions that have touched our hearts and made us feel as our national anthem even an unlikely and somewhat awkward.

Benigni's case is emblematic. Nobody has thought about how strange that a comedian is in fact entrusted the only true celebration of the 150th anniversary of Italy (actually Benigni's performance in Sanremo was the most anticipated speeches of the President Napolitano) . In reality there

una ragione profonda. E’ data dal fatto che, dopo il fascismo, che ridusse l’amor di patria a una macchietta comica prima e tragica poi (per il nazionalismo, il colonialismo e la catastrofe bellica), le sole due modalità che gli italiani, nel cinquantennio repubblicano, si sono concessi per essere patriottici sono state il calcio (lo stadio, dove giocava la Nazionale, è diventato l’unico posto dove sventolavamo il Tricolore) e la comicità (vedi “La grande guerra” interpretata da Gassman e Sordi, per fare un esempio) .

Il registro comico ci permette infatti di dirci che siamo fieri di essere italiani (specie col mito “italiani brava gente”), ma con un sorriso rassicurante, col sottinteso cioè che non ci prendiamo troppo sul serio e nessuno si sogna più di emulare la Roma imperiale: infatti gli italiani possono essere solo “eroi involontari”, proprio come Gassman e Sordi in quel capolavoro di Monicelli.

Anche il palcoscenico della celebrazione di Benigni era emblematico: il festival di Sanremo e la Tv.

Emblematico perché (primo) Festival e Tv sono il tempio del sentimento nazional-popolare, (secondo) perché rientrano perfettamente nello stereotipo più diffuso e banale – gli italiani spaghetti e mandolino – e (terzo) perché confermano perfino lo stereotipo colto per il quale – in fin dei conti – la nostra arte e la nostra cultura ci fanno da duemila anni il cuore del mondo (del resto il Festival si vanta di essere “la musica italiana”).

C’è un’altra piccola rivoluzione memorabile compiuta da Benigni: per un cinquantennio la parola “patria” è stata un tabù per la Sinistra comunista e per la cultura ufficiale. Bastava pronunciarla per essere accusati di fascismo .

Non solo. I comunisti avevano certamente dato un grandissimo contributo alla liberazione del Paese dal nazifascismo, nella guerra partigiana, però il Pci era asservito a Stalin, a una potenza straniera minacciosa e nemica dell’Italia.

Per capire cosa significa ciò bisogna ricordare that in the most dramatic moment of confrontation between the USSR and the free world, around 1948-1949, when the Red Army was eating half of Europe, enslaving tens of countries in Eastern Europe and coming to Trieste with sights hungry and aggressive, as a Enrico Berlinguer - the best of that field (at that time leader of FGCI) - stated that in case of war the young people would not fight against the Red Army . He made the same indignant

De Gasperi who responded in person, with his tough speech (the link with the USSR's Communist Party last long: even the Soviet funding came up in the late seventies). Even in

Eighties - in the decisive event of the missiles (which will cause the changes in Moscow by the collapse of communism) - the Communist Party, rather than siding with NATO to deal with the threat of Soviet missiles targeted on Europe, he chose a "pacifism" which actually meant not to defend national interests and benefit the USSR (I wonder if President Napolitano remember ...) .

Having said that today we can speak of "home" without ideological taboos of the past, as it did Benigni is a good thing. that together we can acknowledge our past and our country as one family is wonderful.

more so on this anniversary of 150 years of national unity, in which the country seems torn apart by hatred and contempt for each other makes it nearly impossible to identify themselves as one people.

Benigni has been found to play a role that should not be entrusted to an actor, especially a comic actor, but he found religion in his own way to sing a hymn that has united us and nobody would return with the same simplicity. For a few minutes on mutual hatred and contempt has prevailed in all the feeling of being a people. It has prevailed love for that beautiful thing called Italy.

Antonio Socci on Free , February 19, 2011